I read that this year, they are making "safe" movies - and this was one they correctly mentioned. How could you miss with this combination?
To date, they have never made a great Dillinger movie. The old ones were unmemorable. The 1973 one with Warren Oates was over the top with the dialogue (Warren Oates kept yelling out, "I'm John Dillinger!" in banks and public places. And the known character actor who played Melvin Purvis was too big, too old, and had a thick Southern accent that some writer had him say, "Wait til I light mah see-gar" before each gangster he shot.) So I thought this was it! THE Dillinger movie, and it was about time.
I took my 17 year old son with me. He had just seen the Warren Oates version with me at home. He thought "Public Enemies" was good. He said it put a different spin on Dillinger. He has never heard anything of Dillinger beyond the Oates movie. Sadly, there are not many whole books devoted to Dillinger. (There is a new one out I bought but haven't read yet called "Dillinger's Wild Ride" by Elliott J. Gorn.)
I was so curious how Johnny Depp would play Dillinger. I thought he did it excellently. He was smoooth - very cool. Dillinger in public was known for his near-acrobatic jumps over bank counters and almost breezy quips. Depp spoke his quips in a toned-down manner - which is how I imagine the real Dillinger did it. He knew he didn't need to be too dramatic. Heck, he was Dillinger and he was Johnny Depp. My eyes never left that screen.
The sets were gorgeous. The banks he hit were the ones that were opulent inside. I think that was pretty accurate, considering the amounts of money he got. In this movie, they mentioned the great amounts of money he took from some of the banks, which I don't recall hearing in the other films. He had to pay a lot to people to keep their mouths shut and, as I always understood it, he never actually had much money.
The music was well-chosen. All period music (I think). This time the guy playing Melvin Purvis actually looked a lot like the real Purvis, which was good.
The movie had more historical accuracy than others I've seen. When he escaped from jail, he really did sing "Get Along, Little Doggies", and I enjoyed that touch of realism.
So what was wrong with this movie? I walked away from the theatre unsatisfied. How could I not adore this film?
One thing that irked me was that the actors in the film almost all looked alike - dark hair, combed the same way, in suits. It was tough to pick out J Edgar Hoover. He did look like a reasonable Hoover, but then so did almost everyone else. I suppose it was most accurate to have everyone dress like that and look like that, but for the audience's sake I think they should have made some differences in the actors instead of the very few they did.
The scene at Little Bohemia, that I so looked forward to (I'd been there as a teen) was mostly shot at night and you couldn't see hardly anything. So what was the sense in actually shooting it there? It could have been shot anywhere on a reconstructed set. I think the action did take place at night, but it wasn't real great and it could have been.
The part where Dillinger is arrested and flown back to the jail in Indiana, and there's a near party going on with the press did show us that one of the big wigs posed in a cozy photo with Dillinger, which later cost the man his stature. But the lady sheriff did, too, and in the movie she did no smiling photo with Dillinger.
They showed Dillinger's family farmhouse as being weathered and grey. I think it was a white house.
I don't think they made it clear enough what was going on and who people were. If I knew nothing about him ahead of time, I would have just lumped them all together as "gangsters" and "G-men", except for Dillinger.
I did enjoy the performance of one of the Little Bohemia gang - whoever played Bugs (Something - not Seigel). He acted nutz and trigger happy and that's the impression I've always gotten from reading about him. (Richard Dreyfus was just mean in the Oates film. This other guy was having fun blasting people away. We were laughing at his performance - in a positive way.)
They didn't show Dillinger at the Chicago World's Fair in 1933. I had hoped they would. But they did show him enough out and about, showing that he did mingle with crowds and nobody knew it. (Incidentally, that new Dillinger book does have a photo in it of Dillinger at the World's Fair.)
They didn't mention his plastic surgery or his attempt to burn his fingerprints off with acid. They didn't focus anything, that I remember, on Harry Pierpont and his being executed in the electric chair.
The final scene went a little too fast and had too many people around. And his "last words" were so fictionalized. I wish they wouldn't have stuck that in. It was just disappointing.
I think his ending should have been carried thru to almost his burial. In the Oates film, they did have one woman soaking her handkerchief in Dillinger's blood. If you read the account of his death, there was a lot of that going on, and it should have been shown. Also the amount of people who filed by his corpse in the town morgue. I think that would have further shown what a famous person he was. I've seen newsreels of his body being taken out of a hearse in a wicker casket for burial. I don't think that's been done in a movie either.
I think if someone is going to make a movie on a real person, they might as well get it historically right. Why not?
I'm glad I saw the movie, as I try to see all of Johnny Depp's movies. I'm glad that I now know I don't want to buy the DVD (if I miss what sounds great at the movies, I'll buy the DVD). And I'm glad I went in the morning and got in for four bucks with free popcorn.
